Minola
  • ISSUE 33
  • ISSUE 29 ISSUE 30 ISSUE 31 ISSUE 32
  • ISSUE 24 ISSUE 25 ISSUE 26 ISSUE 27 ISSUE 28
  • ISSUE 21 ISSUE 22 ISSUE 23
  • ISSUE 17 ISSUE 18 ISSUE 19 ISSUE 20
  • ISSUE 9 ISSUE 10 ISSUE 11 ISSUE 12 ISSUE 13 ISSUE 14 ISSUE 15 ISSUE 16
  • ISSUE 1 ISSUE 2 ISSUE 3 ISSUE 4 ISSUE 5 ISSUE 6 ISSUE 7 ISSUE 8
  • About
  • Submissions
  • JOIN OUR TEAM
  • Print Anthology
  • Contests
Minola
  • 2022/
    • ISSUE 33
  • 2021/
    • ISSUE 29
    • ISSUE 30
    • ISSUE 31
    • ISSUE 32
  • 2020/
    • ISSUE 24
    • ISSUE 25
    • ISSUE 26
    • ISSUE 27
    • ISSUE 28
  • 2019/
    • ISSUE 21
    • ISSUE 22
    • ISSUE 23
  • 2018/
    • ISSUE 17
    • ISSUE 18
    • ISSUE 19
    • ISSUE 20
  • 2017/
    • ISSUE 9
    • ISSUE 10
    • ISSUE 11
    • ISSUE 12
    • ISSUE 13
    • ISSUE 14
    • ISSUE 15
    • ISSUE 16
  • 2016/
    • ISSUE 1
    • ISSUE 2
    • ISSUE 3
    • ISSUE 4
    • ISSUE 5
    • ISSUE 6
    • ISSUE 7
    • ISSUE 8
  • About/
  • Submissions/
  • JOIN OUR TEAM/
  • Print Anthology/
  • Contests/
Screen Shot 2018-08-31 at 9.13.17 AM.png
Minola

ISSUE 19

Minola
  • 2022/
    • ISSUE 33
  • 2021/
    • ISSUE 29
    • ISSUE 30
    • ISSUE 31
    • ISSUE 32
  • 2020/
    • ISSUE 24
    • ISSUE 25
    • ISSUE 26
    • ISSUE 27
    • ISSUE 28
  • 2019/
    • ISSUE 21
    • ISSUE 22
    • ISSUE 23
  • 2018/
    • ISSUE 17
    • ISSUE 18
    • ISSUE 19
    • ISSUE 20
  • 2017/
    • ISSUE 9
    • ISSUE 10
    • ISSUE 11
    • ISSUE 12
    • ISSUE 13
    • ISSUE 14
    • ISSUE 15
    • ISSUE 16
  • 2016/
    • ISSUE 1
    • ISSUE 2
    • ISSUE 3
    • ISSUE 4
    • ISSUE 5
    • ISSUE 6
    • ISSUE 7
    • ISSUE 8
  • About/
  • Submissions/
  • JOIN OUR TEAM/
  • Print Anthology/
  • Contests/
Screen Shot 2018-08-31 at 8.56.36 AM.png
Screen Shot 2018-08-31 at 9.28.17 AM.png
Screen Shot 2018-08-31 at 9.01.13 AM.png
Screen Shot 2018-08-31 at 8.56.47 AM.png
Screen Shot 2018-08-31 at 9.21.03 AM.png
Screen Shot 2018-08-31 at 9.10.38 AM.png

All images property of Robin Richardson unless otherwise specified.

  • 2022/
    • ISSUE 33
  • 2021/
    • ISSUE 29
    • ISSUE 30
    • ISSUE 31
    • ISSUE 32
  • 2020/
    • ISSUE 24
    • ISSUE 25
    • ISSUE 26
    • ISSUE 27
    • ISSUE 28
  • 2019/
    • ISSUE 21
    • ISSUE 22
    • ISSUE 23
  • 2018/
    • ISSUE 17
    • ISSUE 18
    • ISSUE 19
    • ISSUE 20
  • 2017/
    • ISSUE 9
    • ISSUE 10
    • ISSUE 11
    • ISSUE 12
    • ISSUE 13
    • ISSUE 14
    • ISSUE 15
    • ISSUE 16
  • 2016/
    • ISSUE 1
    • ISSUE 2
    • ISSUE 3
    • ISSUE 4
    • ISSUE 5
    • ISSUE 6
    • ISSUE 7
    • ISSUE 8
  • About/
  • Submissions/
  • JOIN OUR TEAM/
  • Print Anthology/
  • Contests/

Minola

Like what you see and want more of it? Consider making a donation today. Minola Review is a labour of love and can only grow in proportion to the generosity of readers like you. 

Thank you so much for reading, and for supporting women and non-binary persons in the literary arts. 

Paola Ferrante, Marta Balcewicz & Hollay Ghadery

Roomwebad.jpg
OAC_REVISED_NEWCOLOURS_250x64_RGB.png

Powered by Squarespace. Banner by Marta Balcewicz